The genre of Indian masala film, the backbone of the entertainment world, is much of the time considered substandard compared to serious, issue-driven films. However, when done well, it can convey an encounter like no other. The speculative chemistry of good masala films seemed to have been forgotten by movie producers, in some measure in Tamil films, when Nelson Dilipkumar reminded us the way things are finished with the de facto poster boy of Tamil masala films, Rajinikanth. The fixing that has been missing of late in making of business films is ‘regard’, and Nelson has that in heaps for this kind. Furthermore, when he blends this deep rooted achievement equation in with his vacant and potentially offensive humor, things get pretty flavorful in Jailer.
Critics have given reviews about the film, discussing the Arrival of genius Rajnikant, the idea and content of the film, its stretch of time and so forth.
“Unexpectedly, a film named Jailer can’t be held back in one single kind, which, obviously, is the meaning of a masala film. In any case, in this film, the shift from one kind to the next is really unmistakable and fascinating. At one example, we are watching a family show, then, at that point, it turns into a retribution adventure, and afterward it changes into something which I won’t uncover on the grounds that it will be a spoiler. Also, the amazements continue to come, very much like the pleasant appearances.”
-The Indian Express
“All aside from awesome visuals, weird humor, and lead characters brandishing lifeless faces, Nelson’s past three movies have had rather straightforward plots that are complemented by the chief’s clever thoughts; Jailer is the same. As a matter of fact, Prison guard could feel like Thangappa Thakkam (1974) to senior crowds while the youths make certain to be helped to remember Kamal Haasan’s most recent hit Vikram. Both the new movies, aside from highlighting the unbelievable stars in age-fitting characters, are about men who were once authorities in assistance yet are presently determined to get revenge, with their confided in associations, to vindicate their child’s destiny. Yet, the similitudes stop there, as Vikram is a page from a realistic universe… while Prison guard is a realistic universe packed into one component. Nelson loads Prison guard with a large group of characters and regardless of restricted screen space for practically every one of them, they nearly fit in completely like bits of a huge riddle.”
-The Hindu
“The 2-hour-40-brief film finds an opportunity to lay down a good foundation for itself. It assumes control north of 40 minutes to get pace. Dissimilar to each Rajnikanth film, which flourishes with a mass presentation scene, this one doesn’t give that therapeutic experience. This is where it turns into a Nelson film. Be that as it may, the span block and the mass scenes in the final part compensate for it. Director Nelson, whose last big screen outing was Beast, is back with his unmistakable way of filmmaking – loaded with unobtrusive, dim parody in the main half. Truth be told, Yogi Babu and Rajinikanth’s tomfoolery exchange saves the principal half. Last part takes off well with a few mass scenes, particularly when the story travels once more into the past to show a brief look at Muthuvel’s past, yet rapidly loses steam and winds up driving towards a hauled, but exhausting and a frustrating peak.”
-The Times Of India
Alongside that, the social media platforms have likewise been ablaze, with remarks going up and on about the film.
Producer Karthik Subbaraj was all commendations for Prison guard. He composed on Twitter subsequent to watching the film, “#Jailer Stunned… Goosebumps… Thalaivaa ablaze in each edge.. @Nelsondilpkumar remarkable composition and Cherished the Humor all thro @anirudhofficial Unique impact @sunpictures cast and crew…Hat’s off for Theri Masses Thalaivar Padam (phenomenal execution).”
Film exchange examiner Ramesh Bala asserted the film could break a few film industry records. He tweeted, “#Jailer : The OG is Back! Tear All BO Records! In the event that you are a #Thalaivar fan, you will watch 5 to multiple times.. Impartial fan will watch at least twice.. #Thalaivar VERITHANAM (fabulous) MAX! After #SureshKrishna , Chief @Nelsondilpkumar has done the most Mass to #Thalaivar @anirudhofficial Theri Max.. “
Industry tracker Manobala Vijayabalan likewise offered a go-ahead to the film. He wrote in his response to Corrections officer, “This is a MAMMOTH returned from Nelson Dilipkumar after a ultra shocking trip with Joseph Vijay’s #Beast. # Corrections officer #JailerReview #JailerFDFS.”
