The goal was to create Harris Reed’s glam, joyous LGBT exhibition as a move-on from his high-drama static tableaux. It was a curtain-raiser for the first full reappearance of shows after the pandemic.
- Harris Reed opened London Fashion Week with a gender-fluid demi-couture collection inspired by a debutante ball.
- Reed’s designs reworked traditionally female themes for “a new fluid society taking centre stage.”
- Exaggerated silhouettes, deconstructed gowns, deformed shapes, and dramatic headpieces (made with Vivienne Lake) were set to Adam Lambert’s mournful soundtrack.
Harris Reed‘s choice to present off-schedule on the eve of London Fashion Week was overshadowed by the death of Queen Elizabeth.
Reed spoke up when he realised the new burden his sculptural looks would bear.
On Harris Reed
Harris Reed is a British fashion designer who presently works as the creative director for the French fashion label Nina Ricci. His parents are Nicholas Reed, an Academy Award-winning British documentary film producer, and Lynette Reed, an American model and candlemaker. He is their child.
Reed is most recognised for his gender-fluid designs, which usually address a number of topics concerning femininity and masculinity.
His aesthetic has been defined as “non-binary Romanticism,” and he refers to his work as “demi-couture,” implying that it is handmade yet fashioned from materials that are affordable to the average consumer.
Reed’s designs are immediately identified by their trademark combination of traditionally feminine components with sculptural skirts or dresses, as well as the extravagantly large hats and headpieces that commonly accompany his clothing.
Reed is a member of the gay community and identifies as gender fluid.
About Spring collection 2024
During heart-searching negotiations about cancelling the week, he wrote a respectfully-toned text asking for the survival of the fragile ecosystem of emerging brands—his friends—for whom cancellation could’ve marked financial devastation, with no possibility of recouping insurance on money already spent.
“It’s been a tough two years, but the London fashion community has been really supportive. Designers, models, movement directors, casting directors, nail artists, and writers have supported one other through hurdles, he wrote.
London should always prioritise community, creativity, and cultivation. He marked the designers and pals he’s “proud to show with.”
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