There are many things to appreciate about this film, even though the love between Ranbir Kapoor and Alia Bhatt is more frequently shared on Instagram than on the big screen.
Long ago, in a place far, far away Apparently, Durga Puja is celebrated in Mumbai. Ravan burns brightly when songs are being played by an MC with “Rockstar” motions.
The DJ is taken aback when a queen suddenly appears. It’s Isha (Alia Bhatt)! The drinking game starts there.
The movie makes a passing reference to Shiva and other deities in our rich Indian culture, but it doesn’t go too deeply into them.
No words can adequately express my love for “Kesariya” in Telugu, Kannada, Tamil, Malayalam, and Hindi (in that order), and a thousand curvatures go out to Sid Sriram for demonstrating to us that we can love in so many different languages.
And a lot of affection for the song “Deva Deva” because of its incredible vitality. Having said that, I didn’t observe the Star Wars congestion.
Help me Obi-Wan Guru (Amitabh Bachchan) portrays Obi-Wan and Yoda, and he will instruct a young Padawan if he is willing to embrace his destiny as a Jedi.
But are the Jedi willing to battle their father, who resembles Voldemort and Surtur more than Brahmadev (an enemy of Asgard and Thor), rather than the latter?
Now let’s talk about the film’s dialogue
It’s so embarrassing that people wonder why Isha/Alia calls MC Shiva/Ranbir, who plays Voldemort’s primary speed, “Kaun ho tum,” while Mouni Roy, who portrays those roles, refers to two cool ones as “scientist” and “artist.”
However, Ranbir has fallen in love with her (this quick love brews faster than a teabag and is just as meaningless), and as J.K. Rowling has stated, Lily Potter rescued Harry because she surrounded him with a ring of fire, which is another way of saying, love.
Darth Vader is your father, the “practitioner,” Amitabh Bachchan says.
If you’re accustomed to viewing Hindi-dubbed South Asian films, you might have observed that the villains speak Bhojpuri.
Warning The sudden use of Bhojpuri in this movie may cause you to choke on your caramel popcorn.
But hold on—Junoon, Voldemort’s primary speed, has turned the residents of the town into zombies who shout “Vihara” instead of “smarts” (Mouni Roy).
Why Mouni Roy didn’t use Google to find the location of the ultra-secret vihara as Nagarjuna does in the film is beyond me.
Additionally, common sense suggests that she would be able to locate the vihara with ease if she knew that her “Payal”-clad adjunct was deceased.
Additionally, according to zombie lore, when bad men scratch nice guys, the plague spreads throughout their bodies and they pass away.
And everybody and their uncle has witnessed Anakin’s conversion to the dark side, but Ranbir, oh Ranbir, I wanted the narrative to succeed for him.
However, what are you supposed to do when they say things like, “Tum meri button ho!”
Anyone who makes such claims should make you want to break up with them. Isha is poor.
With all these things passing around him that are setting off or pushing buttons, she has to smile over and over again.
I won’t even try to guess why Shiva would suddenly declare that he doesn’t desire power when all he’s done is enter his dreams to aid “Artist” and find the ultra-secret vihara.
Mystical elements in films
Why are there characters in the Harry Potter series that have their magical abilities at the top-secret Hogwarts?
How does fire chick Junoon/ Mouni suddenly be able to use water energy (did the SFX platoon see the Korean Show Witchcraft of Souls)?
How can the bad guys use their abilities while wearing the good guys’ “Payal” and “lavaliere”?
Why is Mohan Bhargav the name of the scientist? Why do evil men scream when they strike (Saurav Gurjar portrays the bad guy who really ought to be Hagrid)?
Why does the ultimate villain resemble Sauron? Why do the pens think that old men who are asleep are amusing?
Why are we acting out the SFX from Judgement Day from Terminator 2 in an auto chase?
We can produce some top-notch things, which is crucial to grimace at, but one thing is for sure.
But this isn’t Bahubali or even Ajooba; those films had interesting plots (even though dolphin, as a mom is as awful as my kid, is an intercross of a captain and a barracuda), which made them enjoyable).
The mish-crush plot takes this film down to groan land despite its plenty of flashes (yeah, literally!).
But why did I appreciate the film? Of course, there is the song “Kesariya.” I appreciated how cleverly the music is used in the film.
The film is a spectacle that looks great on a huge screen, too. Small courtesy, you say? I will grant that the narrative has a terrific beginning, but it stumbles when it tries to live up to its potential.
The correct title for this article should have been Brahmastra Attack of the Fantasy Film Duplicates.
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